My images were printed intaglio but you can also use the process to create relief blocks.
I like the idea of being able to manipulate the image digitally before printing and being able to get a great deal of detail and a full range of tones from the plate
On the down side you can’t work into the plate to alter and develop it further. I also had problems with the paper sticking to the surface on some of my prints althoug I think that would improve with practice. (The emulsion on the plates also smell foul when its been developed)
But it’s an interesting process that I think I would like to explore more.