I want them to be fairly abstract but I work
best with some reference to reality so I’m working from some photos of shells
and fossils that I took a while ago.
To make life
difficult I decided that I wanted to work in a square format. I found three 12
cm square plates in the drawer already backed and edges filed. It wasn’t till I
turned them over I remembered that they were all marked, left over from another
project. Two aren’t too bad, one has a
spot on the corner where I think I must have spilt copper sulphate, and one is
pitted in places where I did a very unsuccessful soft ground drawing. The one I
decided to use first has the start of a composition with buildings on it. I’m
hoping the erasure marks and the left over texture will make the print more
interesting.
I started
with a soft ground etch to put in the rough composition lines.
Then I decided
to blitz the background. I used lipstick as a resist.
I could
still see quite a lot of the previous textures so I used a roulette wheel on
the background and scraped and burnished bits of the foreground. I did a test
print using burnt umber to see how it was going so far.
I’m hoping
it might work
This is really interesting - I do like the remnant textures. Of course, I'm not sure what you have in mind, but I think it's lovely so far.
ReplyDeleteI'm not really sure either. I think I'm just seeing what happens.
ReplyDelete