I started to explore. I’d like to etch for this book and
have rather a lot of 10cm square aluminium plate (it seemed a good idea when I
bought it) which is a starting point
The initial thought was to combine the idea of life within
the church yard with reminders of the dead. I have this vague idea of using different
weights of paper, possibly transparent or translucent papers, interleaving
other print methods with the etchings.
But first I wanted to experiment with etching. I decided to use a butterfly motif, set amongst
the grass. I started by masking out the butterfly and using straw hat varnish to
progressively mask out the grasses. The new copper sulphate solution was a bit more
lively than I anticipated and although I like the appearance of the plate (it has
bitten in steps) it doesn’t print well even on heavyweight paper.
Cutting the etching time, the butterfly on a plain ground was more successful. Still a
bit over bitten but white acrylic paint printed onto the plate from embossed
wallpaper worked better than I expected.
Back to the grasses and I tried using acrylic ink as a
resist. I found that it’s much easier to make a painterly mark with this than
the varnish. It also stood up to etching quite well. It gave a partial resist
where the ink was thinner and a complete resist where it was thick.
This was much better. I decided to ‘add’ the textured butterfly. A mistake, although it etched OK
it was too similar to the ground, neither read very well.
Scrapping and burnishing took the wings back a bit and put
more detail into the body. I’m not completely happy with it but I’ve learned a
lot.
I like the butterfly and the final piece has worked well.I am not an etcher but do admire the technique as it has lovely tonal values.
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