But this
plate has been a fight right from the start and so it continued. I printed it today and only managed 4 prints
before the block started to feel spongy around the queen’s eyes. I cleaned it
up and I think the shellac has started to lift, not off the sellotape sections,
where I would expect it, but over the mount board part of the sleeves and the
masking tape trees. Both materials normally hold onto the varnish and stay
stable with no problem. I’m going to let it dry and then decide whether to give
it another coat or risk continuing without.
Of the four
prints, the first was a bit pale, as I’d expect, but it gave me an idea of
which areas need extra attention when wiping.
The second, prussian blue,
and the third, a combination of prussian blue and burnt umber,
are OK . But the fourth which I think is the best colour off all three, a combination of burnt umber and burnt sienna, has done something odd.
and the third, a combination of prussian blue and burnt umber,
are OK . But the fourth which I think is the best colour off all three, a combination of burnt umber and burnt sienna, has done something odd.
The
face, and only the face, has printed twice. Not smudged as though it has shifted
during printing, just printed twice, slightly offset and clearly defined.
She is still stunning, but I know what you mean about troublesome from the beginning - some pieces are just so. The double face print is a bit unnerving - but I think they all look great. Good luck with the next printing!
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