I’ve finished two monoprints for the Art Society project “every shape, every colour, every shadow, every line (and every colour)”
this week
The first was an experiment using shellacked mount board as a drypoint plate to get detail.
The first was an experiment using shellacked mount board as a drypoint plate to get detail.
The second used masking tape and magic tape on binder
plastic.I want to edit and print off some of the photos of the pier that
I took at Christmas and then I think this project is finished.
At the NWBA meeting this week we tried out the diagonal
pocket fold from Hedi Kyle’s book “The art of the fold”. I do like using left over gelli plate prints
for experiments.
But I think I’ll be running late with this one. I volunteered to lead the March workshop,
exploring the blizzard book, so I need to spend some time working out sizes and
making some models.
The Asemic Writing book is moving very slowly. I think I’ve
got the basis of a plate design and I think, because of the size, it will need
to be a collagraph, but I’m not sure what materials and textures to use. I’ll
need to do some letter samples.
And finally yesterday I finished the letterpress for the text and title page for "these are the fish...." Now all I need is for the ink to dry and I can begin assembling it
And finally yesterday I finished the letterpress for the text and title page for "these are the fish...." Now all I need is for the ink to dry and I can begin assembling it
Wow, loads of progress here Jac! I love the pier work; the letterpress and the asemic writing; what a fabulous creative output you have got going.
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