I like the long thin image that I’ve got in
the collagraph experiments but this doesn’t fit the book structure I’d thought
about using. To make it fit the structure means shortening it by nearly half
but this means the illustration doesn’t work as well.
I’m also beginning to think that the original
structure is a bit too much like a folding box and not enough like a book.
Extending the end pages gives longer compositional possibilities and the
concertina added to the tower makes it feel more like a book and less like a
model.
But further
experiments with the tower are showing problems with the opening of the book
and the flow of the folds, it doesn’t feel natural.
Although I’m not entirely
happy about losing the tower shape, I may, after all this messing about, just
go with a straightforward accordion and have the long thin shapes echoing the
tower.
An accordion
means that I will be able to use a heavier weight paper for printing than I
thought I’d be able too. The box fold was not happy bending two ways even with
mock up paper and I’d been ignoring the fact it might get worse with a thicker one.
There are
still lots possibilities with this construction. A long thin narrative piece, perhaps
with images on two sides. Or stitching the folds to make tall thin ‘pages’. And
that’s without playing with cutting and reverse folding........
I do like
the idea of having the cover as a three panelled piece, this wraps the story
within the tower like the witch tried to do with Rapunzel.
Hi Jac, I like your idea of having the book pages enclosed in the wrap around cover and I really like the look and the structure of the concertina enclosed within this cover - sometimes suggestion is better than actual illustration.
ReplyDeleteI agree. And sometimes you have to go a complicated route just to be satisfied that the simple ideas was the best one.
Delete