I kept it simple. Some new paper I wanted to try out (Seawhites are making a cartridge paper out of recycled coffee cups), a base colour of process blue and white (that was leftover from a nude silhouette of Granny Ogg!) and a restricted palette of burnt umber, Prussian blue, cadmium yellow deep, crimson and titanium white acrylics.
I warmed up with a few simple imaginary landscape bits.
Then onto the scarecrows.
The next step is a bit more painting and some experiments with monoprint.