Reprinting

When I downloaded the entry form for the West Lancs Open from the Chapel Gallery I noticed a call for entries for their Christmas exhibition from artists who work with stories – fable, myth and personal narratives.

I sent off my CV and some photos and I’ve been accepted!

Amongst the images I sent were the Taylor Brothers. I got the prints out of the drawer this week to check they were OK and I realised I’d printed them all on off white or cream paper, which I wasn’t too keen on in retrospect. So I reprinted them on smooth white this week.

Simon Brown and Richard Taylor

I've just finished my contribution to a project between the Lancashire County Archives and various local arts societies on the theme of Victorian Lancashire.  Preston Art Society decided to focus on the theme of cotton. I struggled to find a way into the project but eventually I became interested in letters written by two step brothers, Richard Taylor and Simon Brown to their father, George Taylor who lived in Burnley.
 

Originally the family came from Kettlewell in Yorkshire and were in the main tanners although Simon was a loom fitter and Richard a cotton spinner (my tenuous link to the cotton theme).

Both brothers were tried and convicted of theft. Simon for stealing a hat in Burnley and Richard for stealing 300 yards of cloth in Skipton  (Simon Brown was tried at Lancaster and was detained at Lancaster Castle, whilst Richard Taylor was tried at Pontefract and was imprisoned for a while at York Castle)

They were both sentenced to ten years imprisonment in Australia. They were transferred to the hulks to await transportation, Simon to HMS Warrior at Woolwich and Richard to HMS Fortitude at Chatham. Eventually Simon sailed for New South Wales on the Eden in July 1840 and Simon for Van Diemen’s Land on the Davis Clarke in June 1841, neither returned to England.

Richard was assigned to Sydney General Hospital and Simon to an estate called Lovely Banks in Springhill, Oatlands, Tasmania (the property of a Mr Bisdee)

Whilst working at the hospital Richard learned the trade of boot and shoe maker from a fellow convict and eventually set himself up in his own small property as a cobbler in Narellan. Simon rose from a ploughman and waggoner to overseer or foreman. His letters show that he much preferred working among sheep and cattle to working in the mills.

Both brothers married fellow convicts. Richard Taylor married Julia Hand who was a weaver before being transported (they had three children) and Simon married Margaret Martin who had been sentenced to seven years after stealing a watch in Liverpool.

Richard died on 6th January, 1855 and Simon on 18th September, 1884

As I was researching the brothers on the internet it struck me that what I was finding fascinating, whilst following from link to link, was actually an awful experience to have lived through. At a distance researching and learning about these events can be like a form of entertainment. 

I decided that I could develop the iconography of my prints to explore this idea using imagery reminiscent of puppets and puppet shows (entertainment) to tell the stories of the two brothers. The stylisation of the larger figure reminded me of folk art/fairground figures which I thought was appropriate to the Victorian brief.

This is my interpretation of their stories

                                                                  Simon Brown

 Richard Taylor

The information contained here was found on the following websites

http://www.convictrecords.com.au/convicts/taylor/simon/42966

http://www.lfhhs-pendleandburnley.org.uk/news-htm/news23.htm

and at the Lancashire County Archives

http://archivecat.lancashire.gov.uk/calmview/

One finished

I’ve found several accounts on line giving information about Richard Taylor and Simon Brown. When I’ve finished both prints I’ll combine their stories in a post and credit the relevant sources.

This is the print relating to Richard.

He was a weaver who was sentenced to deportation for stealing. He was assigned as a cook to Sidney Hospital where he learned how to mend shoes from a fellow prisoner.  He eventually set up as a cobbler. He married and had three children.

Working with the archives

Lancashire County Council Archive Services are currently working with local art groups to make a response to Victorian Lancashire based on items from their collections. Preston Arts Society has chosen to focus on aspects linked to the cotton industry.

Whilst browsing the catalogue I came across all sorts of interesting things that I want to work with at some point but I have struggled with finding something that grabbed me that linked specifically to cotton. Eventually I found a set of letters from two step brothers to their father that started when they were awaiting transportation (for separate offences in different places) and continued sporadically thereafter. The brothers are Henry Taylor and Simon Taylor (also known as Brown). One was a cotton spinner from Lancashire (I’m counting this as my link). 

As I was further researching on the internet (there are some really interesting, detailed and useful Australian sites out there) it struck me that what I was finding fascinating, whilst following from link to link, was actually an awful experience to have lived through. At a distance researching and learning about these events can be like a form of entertainment. 

I decided that I could develop the iconography of my last collagraph print to explore this idea, using the imagery of puppets and puppet shows (entertainment) to tell the stories of the two brothers. The stylisation of the larger figure reminded me of folk art/fairground figures which I thought was appropriate to the Victorian brief.

I am working towards two prints, one for each brother. So far I have the drawing for Richard’s story ready for transferring to the block.